Tag Archives: Reformed Presbyterian and Covenanter Magazine

“…we mourn over their indifference to and disregard of many important and precious truths of God’s word, and the substituting of human inventions for divine institutions in the worship of God.”

“And while we cheerfully admit there are very many of the Lord’s people in all the evangelical churches, and rejoice in all they have done and are doing for the salvation of sinners, and the extension of the kingdom of Jesus Christ, both their Lord and ours, we mourn over their indifference to and disregard of many important and precious truths of God’s word, and the substituting of human inventions for divine institutions in the worship of God. Especially is the praise of God corrupted by human hymns, which in the matter of many of them, as well as in the want of divine appointment for all, are unfit for the worship of God—and also choirs and instrumental music in the place of congregational singing. The whole service of praise seems to be arranged as a mere theatrical performance, and intended to please man, not God. By ignoring scriptural and important doctrines, and by not exercising discipline for popular sins, and arranging the worship of God to gratify the carnal mind, the church has been brought down almost to the level with the world, or changed into a worldly sanctuary. And the popular way for the union of all the churches in one organic body, proceeding, as it does, upon the false assumption that the great principles which have heretofore divided, and still divide, the several churches, are of no value, and unworthy of any regard, is a lamentable evidence of the general decline of the life and power of true religion in these times.”

“A Good Conscience”, The Reformed Presbyterian and Covenanter, Vol 8, January 1870, p21-22

“The Book of Psalms is emphatically the ‘Word of Christ.’ The divine songs contained in the Psalter, are not only the Word of God, in the sense in which all Scripture is his word; but they may, with great propriety, be styled the ‘Word of Christ,’ inasmuch as they are constructed on the principle that Christ is, in many of them, the speaker.”

HYMNS IN THE PSALMS.

BY REV. JOHN BROWN, A. M.

In two of the apostolic epistles, Paul enjoins it on Christians, as a religious duty, to sing hymns in the worship of God. “Be filled with the Spirit, speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord.” “Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord” (Eph. 5: 19; Col. 8: 16). It is supposed that this apostolic injunction not only renders the use of human compositions allowable, but even imperative, inasmuch as we are commanded to sing both psalms and hymns. Now, I observe:

I. That those who make this distinction are not quite consistent with themselves. For the Apostle distinguish between “psalms, and hymns and songs,” whereas they distinguished only between psalms and hymns, making no account of the songs.* Even on their own principle, therefore, their worship is incomplete. In obedience to what they suppose to be the apostolic precept, they sing “psalms and hymns;” but, I am not aware that they sing anything which they themselves call “songs,” as distinct from “psalms and hymns.” On the same principle, then that they urge on me the use of hymns, as distinct from psalms, I urge on them the use of songs, as distinct from both. But,

II. It is evident that the hymns to which the Apostle refers were not modern productions. For they must have been in existence at the time when the epistles were written, as he does not direct the churches to make hymns, but to sing hymns. Consequently, he neither enjoins nor recommends the use of the hymns of Watts, or Doddridge, or Newton, or Toplady, or Hart, or Wesley, &c, however excellent these hymns may be; and we readily admit that many of them are beautiful pieces of sacred poetry. But Paul does not enjoin the use of these, for this plain reason, that they had no existence at the time, nor were their authors born until seventeen centuries afterward. The same observation applies to all modern productions, whether they be called psalms, hymns, or songs.

III. There is no evidence whatever that the apostolic churches were in the possession of any hymns, except those which have been transmitted to us in the Scriptures. Should any one be disposed to insist that the apostolic churches were in the use of hymns besides those contained in the Scriptures, the burden of proof lies upon him. Let him give us the hymn book that was used by the Colossians and Ephesians, and furnish us with satisfactory evidence of its genuineness and authenticity, and we will at once feel the obligation to use it. [This distinction is more apparent in Scotland, where those who use what are called “hymns,” have the “Psalms” bound in one book, and the “Hymns” in another. To be consistent, they would require a third book—a Book of Songs.] But,

IV. The “psalms, and hymns and songs,” of which the Apostle speaks, are all comprehended in the “Word of Christ”—a phrase which is equivalent with the “Word of God.” “Let the Word of Christ dwell in you richly in all wisdom, teaching and admonishing one another in psalms and hymns and spiritual songs.” By this phrase the Apostle limits the hymnology of the primitive church to the Word of Christ, or the Word of God.

V. The Book of Psalms is emphatically the “Word of Christ.” The divine songs contained in the Psalter, are not only the Word of God, in the sense in which all Scripture is his word; but they may, with great propriety, be styled the “Word of Christ,” inasmuch as they are constructed on the principle that Christ is, in many of them, the speaker. The 22d Psalm, for example, is the “Word of Christ” in the same sense as the 17th of John is the “Word of Christ.” But modern hymns are not constructed on this principle, nor entitled to this appellation.

VI. Paul’s “songs” are described as being “spiritual,” or (pneumatikais) “inspired.” This is evidently the meaning of the original word in 1 Cor. 2:13, where the Apostle applies it, “not to the words which man’s wisdom teacheth, but which the Holy Ghost teacheth.” And as he describes the songs which he recommends as being “inspired,” it is but reasonable to suppose the “hymns” to be likewise inspired. “By hymns,” says Dr. Gill, “are intended not any mere human compositions; since I can hardly think the Apostle would place such between psalms and spiritual songs made by men inspired by the Holy Ghost, and put upon a level with them.”

VII. The term hymn has unhappily acquired a new acceptation in modern times. Other Scripture terms have been subjected to the same abuse. The word bishop, for example, is now generally applied to a dignitary of the Church of England, or of the Church of Rome, presiding over the clergy within a district called a diocese; and many are, no doubt, led to believe that it has the same meaning in the New Testament; whereas the term in Scripture is used synonymously with that of elder—the Scripture bishop being the overseer not of the clergy, but of the congregation. So the word hymn, being now generally applied to the poetical compositions of good, but uninspired men, in distinction from the Psalms of David, many are led to suppose that the Apostle uses the word in the same sense, and makes the same distinction. Before I knew the Greek language, I thought it wrong to sing a psalm after the Lord’s Supper, because we are told that the disciples sang a hymn, imagining that a hymn must be something distinct from a psalm, according to the modern notion. But this distinction is founded on the abuse of language.

VIII. “The psalms and hymns and inspired songs,” recommended by the Apostle, appear to me to be all contained in the Book of Psalms. It is well known that in the sacred languages the same book is denominated by two names, namely, psalms and hymns—hymns in the original Hebrew, and psalms in the Greek translation. When we sing psalms, therefore, we sing hymns, for such is the meaning of the word Tihillim, the Hebrew title of this sacred book.

IX. Besides the running title applied to the book, each of these inspired compositions, generally, bears a superscription of its own; and by the subordinate titles they are distinguished into psalms, hymns and songs. It is most probable, therefore, that the Apostle alludes to this distinction. But,

X. Should the authority of the titles be disputed, this will not alter the matter much, for the same distinction is to be found in the body of the psalms. Thus we read: “Let us come before his presence with thanksgiving, and make a joyful noise unto him with psalms” (Ps. 95:2). “And he hath put a new song into my mouth, a hymn to our God” (Ps. 40:3, Greek); “I will praise the name of God with a song” (Ps. 69:30). Now, as the Greek terms in the Septuagint, rendered psalms, hymns and songs, in these three texts quoted from the Psalter, are the very terms used by the Apostle, in Col. 3:16, and Eph. 5:19, I think it is plain that the psalms and hymns and songs, of which he speaks, are all to be found in the Book of Psalms, especially as we have no evidence of any other hymns being in existence at the time, except those contained in the Old Testament Scriptures, and as the Apostle does not direct us to make hymns, but only to sing them. As Dr. Gill quaintly remarks, “We are commanded to take a psalm, not to make a psalm.” (Ps. 81:2.)

P. S.—Candor requires me to state that the hymns adopted by the Baptist denomination are the hymns used by the congregation over which I preside.* I should greatly prefer the Scotch version of the Psalms, and that alone, believing it to be the purest metrical translation extant; but, of course, I cannot compel my brethren to see with my eyes. The hymn-book which we use, however, contains a considerable number of the Psalms of David, together with the hymns contained in other parts of Scripture, more or less purely translated. I endeavor to select the best of these for public worship, and think I can do so on the same principle that I would use a translation of the Bible which I did not consider the best, until the church were brought to sanction a translation more perfect. By making this statement, I shall, perhaps, expose myself to the criticism, or even censure, of my brethren; but I rather run all risks on that head, than conceal either my views or my practice.

John Brown, “Hymns in the Psalms”, Reformed Presbyterian and Covenanter, Vol VIII, 8-10.

PDF – Hymns in the Psalms by John Brown

“In the Psalms we have a beautiful symbol of the union between Christ and the church. He is represented as singing praises to his Father, in the midst of the church (Ps. 22:22), and thus leading the praises of the redeemed. This is the only principle, indeed, on which they can be intelligently sung by us, for many of the Psalms are only true of us as we are in Him.”

CHRIST IN THE PSALMS.

BY REV. JOHN BROWN, A. M.

The Psalms are eminently evangelical. Christ in his birth, life, sufferings, death, resurrection, ascension, and glory, is the sum and substance of most of them, if not all. Many of them have a double sense, a literal and an evangelical, whilst many others apply exclusively to Christ, or to David as a type of the Messiah.

I. Many of the Psalms have a double sense, a literal and an evangelical, and, in order that we may sing with understanding, we must view them in the light of the gospel, or in the evangelical sense. The 8th Psalm is one of this class. In its literal sense, it celebrates the goodness of God to man, as displayed in the works of creation and providence, alluding to the first Adam, who was invested with dominion over the inferior animals, and thus made lord of the terrestial creation (Compare vv. 5-8, with Gen. 1:28). But the first Adam was a type of the second (1 Cor. 15: 45-49), and we are assured, on apostolic authority, that the Psalm, in its evangelical sense, applies to the “second Adam, the Lord from heaven,” to “Jesus, who was made a little while inferior to the angels; but is now crowned with glory and honor,” and “set over the works of his Father’s hands.” Heb. 11: 6-9.

The 19th Psalm furnishes us with a beautiful example of the same kind. In its literal sense, it describes the natural sun in the firmament, as “a bridegroom coming out of his chamber, rejoicing as a strong man to run a race,” diffusing light, and heat, and life, and joy to all; and thus proclaiming to men of every language, the glory of the invisible God. But the natural sun is the emblem of the “sun of righteousness,” who has arisen upon us “with healing in his wings.” The Apostle therefore applies this Psalm, in its evangelical sense, to Jesus, who is the “great light” of the moral world, revealing the character of God to man by the preaching and writings of the Apostles, whose “sound went unto all the earth, and their words unto the end of the world.” Compare ver. 4, with Rom. 10:18. This is a general principle on which many of the Psalms ought to be explained.

II. Many of the Psalms apply exclusively to Christ, or to David only as a type of the Messiah. Such Psalms are generally constructed on the principle that Jesus is not only the subject, but also the speaker. The royal prophet personates the Messiah, and speaks in his name. This is evident, because some of them cannot be applied with propriety to any but the Redeemer, and others are quoted in the New Testament, and not only applied to him, but put into his mouth, i. e., he is represented as the person giving utterance to them.

1. Some of the Psalms cannot be applied with propriety to any but the Redeemer. Who, for example, but he who was “holy, harmless, undefiled, and separate from sinners,” could say: “Thou hast proved mine heart; thou hast visited me in the night; thou hast tried me, and shalt find nothing.” Ps. 17:3. Who but he whose soul returned from the separate state, and whose incorruptible body was raised from the grave, could say, “Thou wilt not leave my soul in the invisible world, neither wilt thou suffer thine holy one to see corruption.” Ps.16: 10. Such language is altogether inapplicable to David; “for David after he had served his own generation by the will of God, fell on sleep, and was laid unto his fathers, and saw corruption; but he whom God raised from the dead, saw no corruption.” Acts 13:35-36. Who but he who “upholdeth all things by the word of his power,” could say, “The earth and all the inhabitants thereof are dissolved. I bear up the pillars of it.” Ps. 75:3. This language may well be used by him, to whom “all power in heaven and in earth” is given; but is altogether unsuitable for any creature, however exalted. Yet, Dr. Watts, who complains that the Psalms are not sufficiently evangelical to be used under the gospel dispensation, and takes it upon him to cast them into a more evangelical mould, applies these striking words to “the glorious revolution by King William, 1688!!” Did the Spirit of God ever intend such an application? Without deducting from the merits of reformers, either in church or state, we think it a grand error to accommodate the praises of Immanuel to the achievements of a mortal man—to celebrate the praises of King William and his “glorious revolution” in the inspired words which were designed to celebrate the praises of him who “bears up the pillars of the earth,” and whose “kingdom ruleth over all.” In these words we celebrate, not the praises of King William, not the praises even of Solomon, but of Christ.

“A wiser king, a greater prince,
Than Solomon is here.”

John Barclay, A. M., Minister of the Berean Assembly (a small sect of Scotch dissenters) at Edinburgh, speaks of a certain class of divines in Scotland, who, “after prayers read, and a blessing implored, that they might be enabled suitably to apply and improve,” did apply and improve with a vengeance—how suitably, let the world judge! The King—the Lord’s anointed—his righteousness—his righteous cause—his glory filling the land—his flourishing crown—righteous sceptre—peace of his government, etc. To whom were all these eulogiums from the Psalms applied? To the Lord, of whom they were meant? No. To David? Nor to him neither. To whom then? To whom but to the “good King Charles, of blessed memory!” Others, I doubt not, in their pious zeal, may have applied these eulogiums to his holiness, the Pope. Indeed, if we lose sight of Christ in the Psalms, we shall have applications without end. It is easy to see, however, that these words (Ps. 75: 3) apply only to Christ, and that it would be blasphemy to put them into any mouth but his.

2. Several of the Psalms, which are quoted in the New Testament, are put into the mouth of Jesus; i. e., he is represented as the person giving utterance to them. The 40th Psalm is one of this description. It is evident, indeed, on reading this Psalm, that it is inapplicable to any but Jesus; but, that all doubt may be removed on the subject, the Apostle declares, in direct terms, that “when he cometh into the world, he saith, Sacrifice and offering thou wouldest not, but a body hast thou prepared me; in burnt offerings and sacrifices for sin thou hast had no pleasure. Then said I, Lo, I come (in the volume of the book it is written of me), to do thy will, O God!” Compare Ps. 46:6-8 with Heb. 10:5-7, which words the Apostle thus explains: “Above, when he said, Sacrifice and offering, and burnt offerings, and offerings for sin, thou wouldest not, neither hadst pleasure therein, which are offered by the law; then said he, Lo, I come to do thy will, O God! he taketh away the first, that he may establish the second. By the which will we are sanctified, through the offering of the body of Jesus Christ once for all.” Heb. 10:8-10.

The 22d Psalm furnishes us with another example of the same kind. The Evangelist informs us, that Jesus on the cross uttered the opening words of this Psalm as his own. “About the ninth hour,” says the sacred historian, “Jesus cried with a loud voice, saying, Eli, Eli, lama sabachthani? that is, My God, my God, why hast thou forsaken me?” Compare ver. 1 with Matt. 27: 46. Again, the Psalmist complains thus, in the 7th and 8th verses: “All they that see me, laugh me to scorn: they shoot out the lip, they shake the head, saying, He trusted in the Lord that he would deliver him; let him deliver him, seeing he delighted in him.” But the manner in which this passage is quoted by the Evangelist, at once shows that Jesus must be regarded as the person uttering this complaint. “They that passed by (the cross) reviled him, wagging their heads, and saying, He trusted in God, let him deliver him now, if he will have him.” Matt. 27:39-43. We are not acquainted with any incident in the life of David that would lead him to say, “They pierced my hands and my feet;” but this was literally true of the Redeemer, whose hands and feet were nailed to the cross. Compare ver. 16 with John 10-25. We are also informed that “they parted his garments, casting lots, that it might be fulfilled which was spoken by the prophet, saying, in the person of Christ, “They parted my garments among them, and upon my vesture did they cast lots.” Compare ver. 18 with Matt. 27:35. Paul assures us that it is Christ who says in ver. 22d, “I will declare thy name unto my brethren; in the midst of the church will I sing praise unto thee,” Compare ver. 22 with Heb. 2:11, 12. Christ, therefore, must be regarded as the speaker, all throughout this Psalm. It is one of the prayers that he offered up to God, in the days of his flesh. In this Psalm we see the Son of God, as it were, on his knees. We see the “man of sorrows” offering up “prayers and supplications, with strong crying and tears, unto him that was able to save him from death, and was heard in that he feared.” Heb. 6:7. These Psalms, therefore, must be eminently evangelical; if there be such a thing as spirituality in composition, they must be spiritual in the highest degree, being the utterance of the Redeemer’s heart. Some talk of casting the Psalms into an evangelical mould—they may as well speak of baptizing the Holy Ghost. They are sufficiently evangelical in themselves, and we have abundant proof that some paraphrasts, in using evangelical phrases, have lost the evangelical sense. New Testament phrases may be used abundantly, and yet Christ und his work not sufficiently seen.

In the Psalms we have a beautiful symbol of the union between Christ and the church. He is represented as singing praises to his Father, in the midst of the church (Ps. 22:22), and thus leading the praises of the redeemed. This is the only principle, indeed, on which they can be intelligently sung by us, for many of the Psalms are only true of us as we are in Him. It is on this principle alone that he confesses our sins as his (Ps. 40:12), and that we exult in his righteousness as ours (Ps. 17:3; 24:3). None but Christ can lay an absolute claim to the righteousness which is there described; but the believer, in virtue of union to him, can appropriate that righteousness to himself, for he is fully justified in his representative. God sees no iniquity in Jacob, nor perverseness in Israel, when viewed in his beloved Son. The testimony of Jesus in reference to his church, is, “Thou art all fair, my love; there is no spot in thee.” “In the Lord we have righteousness and strength.” His name is “Jehovah our righteousness.” “I will greatly rejoice in the Lord; my soul shall be joyful in my God; for he hath clothed with the garment of salvation, he hath covered me with the robe of righteousness, as a bridegroom decketh himself with ornaments, and as a bride adorneth herself with her jewels.

“Christ in the Psalms”, The Reformed Presbyterian and Covenanter, Vol VII, November, 1869

PDF – Christ in the Psalms by John Brown

“We who contend for the exclusive use of ‘the Book of Psalms,’ may act very inconsistently in using Rouse’s version that has some changes and additions, but how this justifies others in singing hymns, we cannot see.”

An Article entitled “Psalmody” in The Reformed Presbyterian and Covenanter magazine, 1866, pages 337-339.

“The subject of Psalmody has of late received but little notice in this magazine. The reason is not a want of interest in the subject, or any indisposition to aid in maintaining the exclusive use of “the book of Psalms” in praising God. We thought that the nation’s duty to acknowledge Christ is especially the present truth. This belief has led us to employ largely our pages in explaining and enforcing this neglected national duty. Moreover, our U. P. brethren have given of late the question of psalmody a great deal of their attention, and in their controversies with those who deny that the book of Psalms is the only authorized matter of praise, they have done their work so well as to leave us under no necessity to give a helping hand. This article owes its existence not to any pressing need for further light on the subject of psalmody, but to notice a little volume which has been laid on our table by its author, who is an acquaintance and neighbor.

The title of the volume is, “A Vindication of the Letters on Psalmody, from the Strictures of John T. Pressly, D. D., by William Annan.” The letters to which there is here reference, were reviewed with a good deal of keenness and severity, but with entire justice, in our pages several years ago. The Strictures of Dr. Pressly we do not recollect to have seen, but we doubt not that they were written with the characteristic ability and clearness of this author. Our remarks are suggested by looking over the Vindication, and we present them just as they occurred in perusing the book.

1. It is of no importance in the controversy about psalmody, whether the authorized version was or was not the production of Rouse. That he had something to do with making it, is agreed on all hands, and we have no objection that for convenience it be called by his name.

2. It is of no importance in the controversy, whether there are changes and additions in Rouse’s version. All agree that there are, as there must be in any version, whether in metre or in prose. The only question respecting it is, Is it a version? This is admitted on the other side. These mutual concessions should place this point out of dispute.

But this is not the mind of the author of the Vindication. “Forty pages of the Letters on Psalmody,” he informs us, are occupied in showing that Rouse’s version contains expressions that are not in the Psalms in prose. By parallel columns and juxtapositions, the important fact is demonstrated. The first part of the “Vindication,” comprising sixty-seven pages, is devoted to the same object. Now we ask, what has this to do with the argument in question?

A superficial reader of the pages noted above, might readily come to the conclusion that Mr. Annan had become a champion for the exclusive use of the Book of Psalms, and one of the strictest sect, for he lectures with no little zeal our U. P. friends for using a version made with the usual poetic license. Nothing it seems will do him, but the very inspired words. Of course he will have to chant the Psalms in Hebrew.

But brother A. has not changed his mind on the subject. The pages referred to are employed to bring down, it is hoped, with crushing weight on those whom he opposes, the argumentum ad hominem. The design is to show that they, in using Rouse’s version, do the very same thing that they condemn in others. Now suppose that this is true, does it prove anything? Does it add the weight of a feather to the cause which is so earnestly advocated? We who contend for the exclusive use of “the Book of Psalms,” may act very inconsistently in using Rouse’s version that has some changes and additions, but how this justifies others in singing hymns, we cannot see. If we do a certain thing, that is no reason why they should do another thing altogether different, nor why we should not find fault with them for doing it.

But there is no place for the argumentum ad hominem. “We will show this, and leave the forty pages in the “Letters,” and sixty-seven pages in the “Vindication,” just so much useless paper. “What we claim for the psalms that we sing, is, that they are a version ofinspired psalms. We hold that a version of inspired psalms should be exclusively used in praising God. Everybody knows that in changing prose into poetry, there must be the introduction of new words. We believe, however, that this does not necessarily change the meaning of what is versified. To do so would be to go beyond the limit of poetic license. We deny that this is done in Rouse’s version. We do not claim inspiration for the version, but we claim inspiration for the psalms versified, and we contend that a version of these alone is to be sung in divine worship. Now if our neighbor was contending for the right to sing some other version of the psalms, his argument would have weight against us. He could say, you sing a version that has words and lines that are not in the inspired psalms; and therefore you cannot consistently blame us for singing another version liable to the same objection. But he does not contend for singing the hymns of Watt or any other modern poet oa the ground that they are a version. His plea for hymn singing is, that the sentiment is scriptural, and the poetry is good, and therefore they should be sung. Watts repudiated the idea of a version. He expressed the relation that his production sustained to the Psalms of David by the term “imitation.” He claims that it is an excellence of his psalms that they are not a version. A literal version of some of the psalms he declared it would be wrong to sing.

Now apply the argument to the question as thus fairly stated. United Presbyterians, and Reformed Presbyterians, sing the best version of the inspired psalms they can obtain. From this premise the first conclusion is, that therefore they cannot consistently condemn singing an imitation of the Psalms, and hymns prepared from other portions of Scripture; and the second conclusion is, therefore it is right to sing imitations of the Psalms, and hymns. If this is not a fair statement of the argument occupying more than one hundred pages in the two books, we confess ourselves utterly unable to understand it. How much the cause of hymns is helped by such reasoning, we leave to others to judge.

3. We looked at the instances of “vain repetition” exhibited from Rouse, and we confess we were not led to admire the accuracy of the vindicator. On page 19 of “Vindication,” the words “I delayed not,” taken from Psalm 119:60, are presented as the whole matter out of which the line, “I did not stay nor linger long, as those that slothful are,” is manufactured by Rouse. In the prose the words are, “I made haste, and delayed not.” Why leave out the words, “I made haste”? It was doubtless an oversight, but in such a case, care should be taken to be accurate. The additional words, “as those that slothful are,” although not in the psalm, is in perfect harmony with it, and therefore does not impair its claim to be a version.

4. Passing over the body of the work, in which we find nothing new, we notice the contrast on page 139. We find there placed in parallel columns, the 12th chapter of Isaiah, and parts of four psalms in Rouse’s version. The following sentence immediately precedes: “But perhaps we can in no method better illustrate the divine excellence of such passages, and their fitness to compose a part of the high praises of Israel’s God, than by the following contrast.” The passages alluded to are some highly poetical parts of Isaiah and other Old Testament books. These are contrasted with some of the Psalms of David, with the evident design to show the superiority of the former over the latter. The fact that the Psalms on the one side of the contrast are taken from Rouse’s version, is of no account in the matter, for the contrast is between the sentiments of the two parts of the word of God. It is most manifest, if the writer understood the logic of his contrast, he meant to say that there are parts of the Book of Psalms that are too bad to be sung. We compare things where the one is good, and the other is better; we contrast where the one is bad, and the other is good. We must say that we have not seen in the writings of either Renan or Colenso, anything more disparaging to the Word of God, than this contrast in its connection.”